The Velvet Underground & Nico

When the Velvets recorded this debut, they were best known as the protégés of Andy Warhol (who designed the sleeve), and as a grating, combustive live band. Fueled by drummer Moe Tucker's no-nonsense wham and John Cale's howling viola, some of the straight-up rock & roll and arty noise extravaganzas here bear that out. But before Lou Reed was singing about sadomasochism and drug deals and writing lyrics inspired by his favorite poets, he was a pop songwriter, and this album has some of his prettiest tunes, mostly sung by Nico, the German dark angel who left the band after this disc. Even the sordid rockers are underscored by graceful pop tricks, like the two-chord flutter at the center of the classic "Heroin." --Douglas Wolk

The Velvet Underground

Released in 1969 to an almost total lack of critical acclaim or consumer interest, the Velvet Underground's third album may well be the finest record of the band's career. Without the sonic terrorism of The Velvet Underground & Nico and White Light/White Heat or the ill-conceived commercial concessions that marred Loaded, the album's songs are free to stand on their own merit. And stand they do: "What Goes On" and "Beginning to See the Light" may be the finest flat-out rockers in the band's catalog, while "Pale Blue Eyes," "Jesus," and "Candy Says" are some of the most delicately gorgeous songs Lou Reed has ever penned. There's no evidence here of any of the psychedelic effects and hippie sloganeering that marked most late-1960s rock releases, which is probably why the record still holds up today. --Dan Epstein

Loaded

While John Cale certainly gave the first couple of Velvet Underground albums a signature sound, his departure enabled Lou Reed to do exactly what he does best: write kick-ass, stripped-down rock songs. On Loaded his talent comes to full fruition. Who can imagine a world without "Sweet Jane" and "Rock & Roll," arguably two of the greatest rock tunes ever penned? The brilliance of those songs is so bright, it's easy to overlook a couple of other Reed masterpieces: the tender, epic discourse of "New Age" (which highlights his assured sense of poetic wordplay: "And when you kissed Robert Mitchum / Gee, but I thought you'd never catch him!") and the extended sweet blues romp of "Oh! Sweet Nuthin'." On Loaded the Velvet Underground--who before had hit the sonic ceiling experimenting with shattered chords, feedback, screeching violas, and what Reed once claimed was "the fastest guitar playing ever"--eschew the dark side of noise for clarity. Check out the ringing chime that begins "Who Loves the Sun" and the sterling (no pun intended) guitar riff that drives "Rock & Roll." This is not to say that the old ragged punch of the original Velvets is completely gone. Moe Tucker still beats a mean set of skins; there's no stopping Sterling Morrison's train-wreck rhythm guitar on "Train Round the Bend"; and "Head Held High" achieves near-"Sister Ray" moments of madness. --Tod Nelson

White Light/White Heat

Japanese limited edition reissue of 1967 album, packaged in a miniature LP sleeve.

Best of the Velvet Underground

UK 'Best Of' collection featuring twenty classic solo and band tracks including 'Sunday Morning','I'm Waiting For The Man', 'Venus In Furs', 'Candy Says', 'Beginning To See The Light', 'Satellite Of Love', 'Vicious' and 'Perfect Day'. 1995 release. Standard jewel case.

1969: Velvet Underground Live, Vol. 1

Originally a two-record set, this live recording has been split and released as separate albums, volume 1 and volume 2. No matter, it's an essential document of one of the finest and most innovative rock bands of all time. 1969: Live catches the band at a juncture in their career, still reeling from the departure of John Cale and settling into the addition of multi-instrumentalist Doug Yule, who would help the band find their rocking heart. Thank god that Maureen Tucker was still around--her inspired, primal drumming makes this recording such a delight. Her quiet thumping on "Lisa Says" is understated and touching, and her timpanic, thunderous rolls on "New Age" are nothing short of awesome. Lou Reed is particularly loose and chatty, more comfortable with his voice as he stretches to hit some tender passages. And the version of "Rock and Roll" here is perhaps the finest of all it's many versions, epic in scope and focused in intensity. --Tod Nelson

The Very Best of the Velvet Underground

The definitive collection from one of the most influential bands of all time. Contains all their singles & album highlights. Featuring six tracks from their classic, seminal debut album, 'The Velvet Underground & Nico' (1967). 18 tracks in all packaged in a slipcase. Universal. 2003.
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